{"id":42,"date":"2019-02-26T23:18:39","date_gmt":"2019-02-26T23:18:39","guid":{"rendered":"http:\/\/music.eliastanenbaum.com\/?page_id=42"},"modified":"2019-03-06T01:43:18","modified_gmt":"2019-03-06T01:43:18","slug":"compositions-by-category","status":"publish","type":"page","link":"https:\/\/eliastanenbaum.com\/?page_id=42","title":{"rendered":"Compositions by Category"},"content":{"rendered":"\n

Orchestral<\/a>  — Chamber<\/a> — Opera<\/a> — Choral<\/a> — Theater <\/a> — Tape <\/a> — Children’s<\/a> — Solo <\/a><\/p>\n\n\n\n

Click here<\/a> to order sheet music \n\n<\/p>\n\n\n\n

Orchestral Pieces<\/a><\/h4>\n\n\n\n

Andante and Allegro For Orchestra <\/a><\/p>\n\n\n\n

Birthday Waves<\/em> – New Orchestra of Westchester – October 1983<\/p>\n\n\n\n

Columbus Orchestra and Tape<\/em>; Premiered 9\/19\/1992 by New Orchestra of Westchester, Paul Dunkel, Conductor.<\/p>\n\n\n\n

Concertant for Orchestra<\/em>: Premiered, Cooper Union Orchestra: David Broekman, Conductor – 1955<\/p>\n\n\n\n

Concertante #2 <\/em>– Cooper Union Orchestra: David Broekman, Conductor – 1957<\/p>\n\n\n\n

First Bassman 1996<\/em>; Solo Contrabass, Symphony Orchestra; Chicago Symphony Orchestra<\/p>\n\n\n\n

Interruptions -1973<\/p>\n\n\n\n

Kaleidoscope String orchestra and tape<\/em>; Premiered by American Composers Orchestra – 1986<\/p>\n\n\n\n

Parallel Worlds<\/em> – Westchester Conservatory Orchestra – Composer conducting – 1980<\/p>\n\n\n\n

Six Designs for Orchestra<\/em> – 1962<\/p>\n\n\n\n

Symphony #1<\/em> – Cooper Union Orchestra: David Broekman, Conductor – 1956<\/p>\n\n\n\n

The Last of the Just <\/em>1967<\/p>\n\n\n\n

Variations for Orchestra<\/em>: Japan Philharmonic conducted by Akeo Watanabe – 1962<\/p>\n\n\n\n

Waves<\/em> – For Guitar and Orchestra – 1983<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Chamber Music<\/a><\/h4>\n\n\n\n


12 with Tape <\/em>– 1978<\/p>\n\n\n\n

A Bubble in my Eye<\/em> Premiered by Bowery Ensemble 1986.<\/p>\n\n\n\n

A Passion For An Atheist<\/em> – 2004<\/p>\n\n\n\n

Again 1996<\/em>; Trumpet, French Horn, Bass Trombone.<\/p>\n\n\n\n

Andante and Allegro<\/em>: Gerard Schwarz, Trumpet – 1962<\/p>\n\n\n\n

BRING EM ON<\/em> for String Quartet<\/p>\n\n\n\n

Back Viola & Guitar <\/em>– 2004<\/p>\n\n\n\n

Bells and Things <\/em>1997; 4 Percussion<\/p>\n\n\n\n

Blurred Visions<\/em>, Premiered by New York Ensemble 1986.<\/p>\n\n\n\n

Chamber Piece #1<\/em> – 1956<\/p>\n\n\n\n

Changing Times Violin, Cello, Piano<\/em>; Premiered 10\/1993 by the Tamarack Trio.<\/p>\n\n\n\n

Clarinet Fanfare<\/em> Premiered 3\/1994 by the Manhattan Contemporary Ensemble.<\/p>\n\n\n\n

Clarinet Trio with tape<\/em> – 1980<\/p>\n\n\n\n

Collateral Damage<\/em> for Guitar and Percussion<\/p>\n\n\n\n

Coming Together Again<\/em> 1995; Piano, Bass trombone, Contra bass, Violin; David Taylor Quartet<\/p>\n\n\n\n

Coming Together<\/em>: Premiered by David Taylor – 1990<\/p>\n\n\n\n

Consort<\/em> – 1970<\/p>\n\n\n\n

Contrasts <\/em>– Mary Tanenbaum – 1965<\/p>\n\n\n\n

Cycles 2<\/em> Pianos, tape and percussion; Premiered – 1991<\/p>\n\n\n\n

Cynology <\/em>-1957<\/p>\n\n\n\n

Dreamscape<\/em>: Piano –1999<\/p>\n\n\n\n

Duo for Guitar and Viola<\/em>: Tanenbaum-Walther Duo – 1980<\/p>\n\n\n\n

Duo for Violin and Piano<\/em>: Premiered Music In Our Time 1956<\/p>\n\n\n\n

Elements:<\/em> Piano — 1999<\/p>\n\n\n\n

Extensions For Woodwind Quintet and Tape<\/em> – Alexander Quintet – 1978<\/p>\n\n\n\n

Fallujah<\/em> for Saxophone Quartet<\/p>\n\n\n\n

Fantasia No. 2<\/em> for Piano<\/p>\n\n\n\n

Fantasia for Violin and Piano<\/em>: Fred Zewicki – Violin – New York – 1958<\/p>\n\n\n\n

Fantasie for Four Harps and Tape<\/em>: New York Harp Ensemble – 1975<\/p>\n\n\n\n

Fantasy for Violin and Tape<\/em> – 1973<\/p>\n\n\n\n

Flight Piano & Tape<\/em>; A student piece 1984<\/p>\n\n\n\n

Four Pieces for Speaking Voice<\/em>, Duo Piano: Inga and Maxim Schur – 1964<\/p>\n\n\n\n

Further Reflections<\/em>: Arioso Trio – 1979<\/p>\n\n\n\n

Guitar Perc<\/em>: Guitar and Percussion. — 1999<\/p>\n\n\n\n

Guitar- 1975 <\/em>– David Tanenbaum – 1976<\/p>\n\n\n\n

Guitars<\/em> Premiered by San Francisco Guitar Ensemble- 1991<\/p>\n\n\n\n

Hazy Light<\/em>: String Quartet<\/p>\n\n\n\n

Hidden Journey<\/em> Student Piano<\/p>\n\n\n\n

Images II <\/em>– Manhattan Percussion Ensemble – 1973<\/p>\n\n\n\n

Jammin<\/em>: 4 guitars — 1999<\/p>\n\n\n\n

Jazz Set<\/em>: Chamber Jazz Ensemble – 1969<\/p>\n\n\n\n

Keep Going, by George <\/em>– premiere April 1985 by Ensemble For American Music<\/p>\n\n\n\n

Lament for Piano<\/em><\/p>\n\n\n\n

Land Born of Grass<\/em>: For Flute, Viola, Percussion, Tape and Dancer. 1989<\/p>\n\n\n\n

Last Letters from Stalingrad<\/em> – Cal-Arts Festival of Contemporary Music for the Cal-Arts Players, March 1983<\/p>\n\n\n\n

Lazer Light<\/em>: 5 percussion – 2000<\/p>\n\n\n\n

Little Serenade<\/em>: Mary Tanenbaum, Piano – 1955<\/p>\n\n\n\n

Memories and Remembrance<\/em> (Parker Variations), Piano and Tape; Premiered by Harold Lewin, piano – 1987<\/p>\n\n\n\n

Mirage and Incantations<\/em> – Klaidescope – 1979<\/p>\n\n\n\n

More Waves <\/em>– For Solo Guitar – Premlered 9\/1984 at Symphony Space in New York by David Tanenbaum, Guitar<\/p>\n\n\n\n

Mostly Five<\/em>: Flute, clarinet , violin and piano 1999<\/p>\n\n\n\n

Music for 2 Pianos <\/em>– 1968<\/p>\n\n\n\n

Music for 3 Chamber Groups:<\/em> Rutgers Chamber Group – 1962<\/p>\n\n\n\n

Music for Guitar:<\/em> David Tanenbaum – San Francisco – 1975<\/p>\n\n\n\n

Music for Piano<\/em> – 1963<\/p>\n\n\n\n

Nove<\/em> – 1963<\/p>\n\n\n\n

Octatonic Haze <\/em>1997; Piano Solo<\/p>\n\n\n\n

Ode To Nicholas<\/em> 1996; Children’s Piano Piece<\/p>\n\n\n\n

Off Center<\/em> Clarinet, Bassoon, French Horn, Violin and Bass Violin; Composed for members of the Chicago Symphony – 1992. Premiered 11\/93; Chicago Pro Musica.<\/p>\n\n\n\n

Patterns and Improvisations<\/em>: American Brass Quintet – 1969<\/p>\n\n\n\n

Peter Quince at the Clavier<\/em><\/p>\n\n\n\n

Phantasies of a Prisoner<\/em> – 1964<\/p>\n\n\n\n

Piano Music<\/em> – Mary Tanenbaum – 1983<\/p>\n\n\n\n

Piano and Tape<\/em>: Harold Lewin, Piano – 1977<\/p>\n\n\n\n

Piece for Cello and Piano<\/em>: David and Mary Tanenbaum<\/p>\n\n\n\n

Reflected Images Flute and Guitar<\/em>, Premiered by San Francisco Ensemble- 1989<\/p>\n\n\n\n

Reflections<\/em> – Mary Tanenbaum, Piano – 1977<\/p>\n\n\n\n

Remembrance<\/em> – St. Paul Chamber Orchestra – 1978<\/p>\n\n\n\n

Roaming Star<\/em><\/p>\n\n\n\n

Rondo for Piano<\/em>: Mary Tanenbaum, Piano 1953<\/p>\n\n\n\n

Sax Quartet<\/em> — 1999<\/p>\n\n\n\n

Shadows<\/em> String Quartet and Guitar; Premiered by Fidel io Quartet – 1991<\/p>\n\n\n\n

Side by Side<\/em>: Brooklyn Philharmonia – Lucas Foss, Conductor – 1980<\/p>\n\n\n\n

Simon’s Song<\/em> Children’s Piano Piece; 1995<\/p>\n\n\n\n

Sonata for Piano<\/em>: Mary Tanenbaum – 1959<\/p>\n\n\n\n

Sonatina for Piano<\/em>: Maxim Schur – 1956<\/p>\n\n\n\n

Sonatine for Unaccompanied Bb Clarinet<\/em> 1952, Premiered New York 1952<\/p>\n\n\n\n

Sonatine for Woodwind Quintet<\/em>: Music in our Time – 1956<\/p>\n\n\n\n

Starflight<\/em> – Ted Hoyle, Cello – 1979<\/p>\n\n\n\n

String Quartet #1 <\/em>‘Music In Our Time’ 1955<\/p>\n\n\n\n

String Quartet #2<\/em> – Music In Our Time – 1956<\/p>\n\n\n\n

String Quartet and Tape<\/em>: Boyar Quartet – 1977<\/p>\n\n\n\n

Structures for Brass Quintet<\/em>: International Festival of Contemporary Music, Zagreb, Yugoslavia – American Brass Quintet – 1966<\/p>\n\n\n\n

The Four of Us <\/em>– The Gamut Bass Quartet – 1983<\/p>\n\n\n\n

The Lies of War <\/em>for Clarinet, guitar and bass violin – 2004<\/p>\n\n\n\n

The Three of Us<\/em>– Scheduled Premiere November 15, 1983: Gageego Trio<\/p>\n\n\n\n

Things Change<\/em> Solo Guitar; Premiered by David Tanenbaum, Guitar – 1992<\/p>\n\n\n\n

Transformation for Flute and Tape<\/em>: Sam Baron, Flute – 1973<\/p>\n\n\n\n

Trio for B Clarinet, Cello and Piano<\/em>: Scherzo Trio – 1965<\/p>\n\n\n\n

Trio for Flute, Cello, Bass Violin<\/em>: Premiered by Members of the Chicago Symphony – 1964<\/p>\n\n\n\n

Trios<\/em>: Rutgers Chamber Group – 1968<\/p>\n\n\n\n

Variations and Improvisations For Alto Flute and Tape<\/em>: Katherine Hoover, Flute – 1981<\/p>\n\n\n\n

W Y H I W Y G [<\/em>What You Hear Is What You Get] 1995. Solo Guitar, Solo Bass and Musicians.<\/p>\n\n\n\n

WYHIWYG<\/em>; (What You Hear is What you Get Version 2): Chamber Orchestra — 1999<\/p>\n\n\n\n

What Are We Doing? <\/em>1997; Violin, Viola, Guitar<\/p>\n\n\n\n

Winds Woods and Things<\/em>: Flute, Oboe, Clarinet, French Horn, Bassoon — 1998<\/p>\n\n\n\n

Woodwind Quintet #2<\/em>: Music in Our Time – 1958<\/p>\n\n\n\n

Words <\/em>– Brooklyn Philharmonia: Lucas Foss, Conductor – 1977<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Opera<\/a><\/h4>\n\n\n\n


Alpha<\/em> (A children’s opera) – 1982<\/p>\n\n\n\n

The Imposition 1994. An opera in one act; 30 minutes; 3 singers: Male narrator, 1 Female singer, 1 Male singer; 4 musicians: Piano Percussion, Clarinet, Cello. Premiered by the Golden Fleece Opera, Ltd.<\/p>\n\n\n\n

The Imposition 1994<\/em>. An opera in one act; 30 minutes; 3 singers: Male narrator, 1 Female singer, 1 Male singer; 4 musicians: Piano Percussion, Clarinet, Cello. Premiered by the Golden Fleece Opera, Ltd.\n\n<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Choral Pieces<\/a><\/h4>\n\n\n\n


Families of Song My<\/em>: Chorus of College of New Rochelle – Town Hall – 1973<\/p>\n\n\n\n

Hiroshima<\/em> – Iona Children’s Chorus – 1964<\/p>\n\n\n\n

Rain and Fog – A Sunny Day<\/em> for Children’s Chorus and Percussion instruments: Premiered New York 1953<\/p>\n\n\n\n

Rituals and Reactions<\/em>: Manhattan Chorus and Ensemble, Daniel Paget, Conductor – 1975<\/p>\n\n\n\n

Sound Patterns<\/em>: Iona Children’s Chorus – 1968<\/p>\n\n\n\n

Sounds Are<\/em> – Paget Chorale – 1979<\/p>\n\n\n\n

Trios<\/em>: Rutgers Chamber Group – 1968<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Theater Pieces<\/a><\/h4>\n\n\n\n


Alpha<\/em> (A children’s opera) – 1982<\/p>\n\n\n\n

Images<\/em> – Sheila Schonbrun – Voice – 1973<\/p>\n\n\n\n

Images III<\/em>: Judith Bettina, Soprar.o – 1977<\/p>\n\n\n\n

Rituals and Reactions<\/em>: Manhattan Chorus and Ensemble, Daniel Paget, Conductor – 1975<\/p>\n\n\n\n

Scenario <\/em>– Iona Children’s Chorus – 1969<\/p>\n\n\n\n

The Imposition 1994<\/em>. An opera in one act; 30 minutes; 3 singers: Male narrator, 1 Female singer, 1 Male singer; 4 musicians: Piano Percussion, Clarinet, Cello. Premiered by the Golden Fleece Opera, Ltd.<\/p>\n\n\n\n

The Two of Us<\/em>: Jay Elfenbein – Bass – 1980<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Tape Pieces<\/a><\/h4>\n\n\n\n


A Memory<\/em> Piano and Tape, Student piano 1998<\/p>\n\n\n\n

Blue Fantasy <\/em>(tape) Kitchen – 1973<\/p>\n\n\n\n

Columbus Orchestra and Tape<\/em>; Premiered 9\/19\/1992 by New Orchestra of Westchester, Paul Dunkel, Conductor.<\/p>\n\n\n\n

Coming Together<\/em>: Premiered by David Taylor – 1990<\/p>\n\n\n\n

Contradictions<\/em> (tape) – New York – 1974<\/p>\n\n\n\n

Contrasts<\/em> (tape) – Kitchen 1973, Listen<\/p>\n\n\n\n

Cycles 2<\/em> Pianos, tape and percussion; Premiered – 1991<\/p>\n\n\n\n

Extensions For Woodwind Quintet and Tape<\/em> – Alexander Quintet – 1978<\/p>\n\n\n\n

Families of Song My<\/em>: Chorus of College of New Rochelle – Town Hall – 1973<\/p>\n\n\n\n

Fantasie for Four Harps and Tape<\/em>: New York Harp Ensemble – 1975<\/p>\n\n\n\n

Fantasy for Violin and Tape<\/em> – 1973<\/p>\n\n\n\n

Flight Piano & Tape<\/em>; A student piece 1984<\/p>\n\n\n\n

Flying Upsala Ballet<\/em>; Premiered by Lo-Lan Dance Co. – 1990<\/p>\n\n\n\n

For the Bird (tape)<\/em> Kitchen – 1973, Listen<\/p>\n\n\n\n

Further Reflections<\/em>: Arioso Trio – 1979<\/p>\n\n\n\n

Images <\/em>– Sheila Schonbrun – Voice – 1973<\/p>\n\n\n\n

Images II<\/em> – Manhattan Percussion Ensemble – 1973<\/p>\n\n\n\n

Images III<\/em>: Judith Bettina, Soprano – 1977<\/p>\n\n\n\n

Interruptions<\/em> -1973<\/p>\n\n\n\n

Jazz Set<\/em>: Chamber Jazz Ensemble – 1969<\/p>\n\n\n\n

Kaleidoscope<\/em> String orchestra and tape; Premiered by American Composers Orchestra – 1986<\/p>\n\n\n\n

Ko Ballet;<\/em> Lo-Lan Dance Co. – 1989<\/p>\n\n\n\n

Land Born of Grass<\/em>: For Flute, Viola, Percussion, Tape and Dancer. 1989<\/p>\n\n\n\n

Landscape with Chants (tape)<\/em> – San Diego – 1973<\/p>\n\n\n\n

Memories and Remembrance (Parker Variations)<\/em>, Piano and Tape; Premiered by Harold Lewin, piano – 1987<\/p>\n\n\n\n

Mirage and Incantations<\/em> – Klaidescope – 1979<\/p>\n\n\n\n

Movements<\/em> (tape) Kitchen 1973, Listen<\/p>\n\n\n\n

Parallel Worlds<\/em> – Westchester Conservatory Orchestra – Composer conducting – 1980<\/p>\n\n\n\n

Patterns and Improvisations<\/em>: American Brass Quintet – 1969<\/p>\n\n\n\n

Piano and Tape<\/em>: Harold Lewin, Piano – 1977<\/p>\n\n\n\n

Remembrance –<\/em> St. Paul Chamber Orchestra – 1978<\/p>\n\n\n\n

Remembrance II <\/em>(The Parker Variations) for Piano and Tape– 1987<\/p>\n\n\n\n

Rituals and Reactions<\/em>: Manhattan Chorus and Ensemble, Daniel Paget, Conductor – 1975<\/p>\n\n\n\n

Scenario<\/em> – Iona Children’s Chorus – 1969<\/p>\n\n\n\n

Sea and Earth<\/em> (tape): New York – 1977<\/p>\n\n\n\n

Side by Side<\/em>: Brooklyn Philharmonia – Lucas Foss, Conductor – 1980<\/p>\n\n\n\n

Sounds Are <\/em>– Paget Chorale – 1979<\/p>\n\n\n\n

Space Walk <\/em>– Electronic tape<\/p>\n\n\n\n

Starflight <\/em>– Ted Hoyle, Cello – 1979<\/p>\n\n\n\n

String Quartet and Tap<\/em>e: Boyar Quartet – 1977<\/p>\n\n\n\n

The Electric Suite <\/em>(tape): College of New Rochelle – 1969<\/p>\n\n\n\n

The Light and the Dark Ballet;<\/em> Premiered by the Berkshire Ballet in 1987<\/p>\n\n\n\n

The Two of Us<\/em>: Jay Elfenbein – Bass – 1980<\/p>\n\n\n\n

Transformation for Flute and Tape<\/em>: Sam Baron, Flute – 1973<\/p>\n\n\n\n

Variations and Improvisations For Alto Flute and Tape<\/em>: Katherine Hoover, Flute – 1981<\/p>\n\n\n\n

Vo Shon 2001 1998<\/em>; Electronic Ballet, Ko and Dancers, Taipei, Taiwan<\/p>\n\n\n\n

Words<\/em> – Brooklyn Philharmonia: Lucas Foss, Conductor – 1977<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Children’s Pieces <\/a><\/h4>\n\n\n\n


Alpha<\/em> (A children’s opera) – 1982<\/p>\n\n\n\n

Dreamscape<\/em>: Piano –1999<\/p>\n\n\n\n

Elements<\/em>: Piano — 1999<\/p>\n\n\n\n

Flight Piano & Tape<\/em>; A student piece 1984<\/p>\n\n\n\n

Hidden Journey <\/em>Student Piano<\/p>\n\n\n\n

Hiroshima<\/em> – Iona Children’s Chorus – 1964<\/p>\n\n\n\n

Lament for Piano<\/em><\/p>\n\n\n\n

Little Serenade<\/em>: Mary Tanenbaum, Piano – 1955<\/p>\n\n\n\n

Ode To Nicholas 1996<\/em>; Children’s Piano Piece<\/p>\n\n\n\n

Piece for Cello and Piano<\/em>: David and Mary Tanenbaum<\/p>\n\n\n\n

Rain and Fog – A Sunny Day<\/em> for Children’s Chorus and Percussion instruments: Premiered New York 1953<\/p>\n\n\n\n

Scenario <\/em>– Iona Children’s Chorus – 1969<\/p>\n\n\n\n

Simon’s Song<\/em> Children’s Piano Piece; 1995<\/p>\n\n\n\n

Zachary’s Dance<\/em> for Piano<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n\n\n\n

Solo Pieces<\/h4>\n\n\n\n

Bushwacked<\/em> for National Steel Guitar <\/a><\/p>\n\n\n\n

Guitarscape NY<\/em> – 2002<\/p>\n\n\n\n

Najef <\/em>for piano<\/p>\n\n\n\n

Remembrance II<\/em> (The Parker Variations) for Piano and Tape– 1987<\/p>\n\n\n\n

Toccata<\/em> for piano<\/p>\n\n\n\n

Top of Page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Orchestral  — Chamber — Opera — Choral — Theater — Tape — Children’s — Solo  Click here to order sheet music Orchestral Pieces Andante and Allegro For Orchestra Birthday Waves – New Orchestra of Westchester – October 1983 Columbus Orchestra and Tape; Premiered 9\/19\/1992 by New Orchestra of Westchester, Paul Dunkel, Conductor. Concertant for Orchestra: … Continue reading “Compositions by Category”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":15,"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":129,"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions\/129"}],"wp:attachment":[{"href":"https:\/\/eliastanenbaum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}